Tuesday, February 22, 2011

March Monarch


Little blossom
I saw you rise
from the bud of branch
to your pink disguise
and there was grace
how you pranced along
as though you were
a Renaissance song
then you crept by hand
from trunk to bark
for you still believe
you're the March Monarch

But you were nothing
save a bud transpired
to blossom
that bloomed
that bloomed
is it wretched to be
that kind of used?

If I call you in summer
just where will you be?
Blossom, dear blossom
you are no kind of tree
and no one will play
in your symphony

Monday, February 21, 2011

Little Bits of Space

It is Monday morning, another cloudy awakening, and I perform my rituals with such a fluidity I think I might be breathing water. I have found myself, of late, struggling to find that perfect space where I am whole and beautiful and not lacking in all the greatness of individuality. It is so easy to fall into sisterhoods, relationships, the many delights of love. For so much of my life I have been prone to the draw of companionship. While I am a lover of quiet moments to myself I also seek the wholeness of contact.

I wonder why I think I am innately such an independent woman. I did, as a child, play alone quite happily for a better part of my days. My mother says that, as a baby, she needed only to place me in my crib and I could be left alone for hours, amused but for the blossoming little plants of imagination soiled in my head. That carried on for much of my life. Playing outdoors, walking to the horses about a mile out and bringing them fluorescent orange carrots. I always found such a peace in the orchards, when alone, save for the cryptic white of the branches and the ancient knots of gnarled wood.

And then again, in my travels, I met myself. I remembered how to laugh at the thunder and sway my hips to the blown grass where the hills were just land that had risen up above the rest. The days in Ecuador, in the city of Cuenca, where I wondered the streets and plopped down in moist cafes to drink coffee and sing sweetly for my swirling veins. Finding a river, that appeared over a rickety bridge, and losing an afternoon in unpolished grass. The incredible fear of ordering for one, with a forced-foreign tongue no less, and conquering even the mocking nights of silence.

But now, it is harder. The cacophony of sirens and rowdy bands makes it hard to remember the girl, those curls that wrapped around small ears, for now I am in a house with paper walls that may fall to the ground with just a slight blow. And the people are kind and intriguing and I stay indoors gladly, but for the sunny days that won't be turned down, and I enjoy the translations of their thoughts to mine.

And I am trying to remember what it means to be perfectly at peace. I asked my dearest friend, last night on the phone (for it is all we have, in the distance) what she does when she wants nothing but isolation. She told me that it is never a problem wanting space, it is only once you have it, that you must wrestle with demons. For the quiet can consume you, and all you remember is laughter in kinship and the delight of hands. So you must trample the memories, just for a little while, and greet yourself as though you are the newest of acquaintances, and say something like, "Hello, Kristen, it has been a while. It is so joyous to see you again." Be sure to speak sweetly to your lone self, for she can be fickle and scared as easily as a curious turtle who wishes to see the stars with a long, unabashed neck.

You must date yourself. A lost art, like that of spinning flower stems into earthly crowns. You must ask yourself to coffee, just to start, and sip foam while reminiscing and asking subtle questions. After a while, you can move on to more intimate endeavors, a long dinner, walks in the park and then, finally, a trip to the mountains where you camp beneath an immense sky that will surely bounce back all the great poetry of you.

But, go with caution, for once a self renders scared there is barely any space left to find her again. For she hides quite well in shadows, no matter how small the room.

I believe each of us must continue this battle. Whether married, single or newly enchanted with another, we must seek out the solace of ourselves, and delight in what creations we are. For, if I can not find a way to truly love my time with me, how can I expect another to cherish that very thing? Indeed, I cannot, and do not wish to miss out on my own company (no matter how self-destructive I may be feeling).

So, load your weapons and begin, for there is much land to conquer within ourselves.

Sunday, February 13, 2011

Conversing with Mozart: Tri


"What are you thinking?" I asked
for I was bored and found reading dull
just then, as the sun was falling

"I'm thinking of the people."

"What people, Mozart?"

He smiled, in a knowing way
his little secrets were his most
delighted in quality

"The people I played for."

I wondered of the royalty
the height of prestige
that sat before him
clapping demurely, once
upon that time

"Kings and queens I'm sure,"
I whispered
wondering if my art has
that power to stilt hearts

"Yes, there were those
but they were numb
to the jilt of notes.
It was the people of Praha
that crowded the streets
shoulder to ear to arm
they rejoiced in the sounds
and for them I was magnanimous."

"Only for them?"
I asked, thinking still
of capes and velvet

"It was all for them, dear girl
in the streets, on top
a darling city encased
in a greyness of hope
we met each other
the people and I
and I can't forget them
every little roundness of face
and the eyes that thanked the angels
those eyes that met the angles."

I feared he might cry
he was always doing that,
crying
when he thought of faces
for he too could not face
that they are gone
we are gone
he is gone
and yet barely here
in song.

Sunday, January 30, 2011

Conversing with Mozart: Dva


"Is it you, again,
dear Mozart?"
I stared at him
on my wall, dangling
his little tears falling
like the rain of a true
stormed poetic heart

"My dear," he whispered
"you can not know the fate
of loving two cities
but never quite having
either in full."

He choked, fighting
another round
then continued,

"I loved her first,
my sweet Salzburg
but it was Praha
that showed me how to trace
a lover's spine
with the breath of song."

I sat up, quite awake now.

"But I do, dear Amadeus,
for I, too, have loved
the skeleton of an empire
and then been besotted again
by the lines of trees."

"And do you think," he began
composing himself
"that it can ever be enough?"

I waited, knowing
he needed my words that way
and finally, I spoke.

"I fear it will never be all
nor will it ever lack in full
we will instead feel
the incandescence of joy
while rowing through
our torrents of sorrow."

He sighed, eyelashes coming down
like a curtain around him.

"But it will be enough
I suppose
to keep us here."

And he was right
even then
at 3am
but even rightness
has a sadness
and he was of two loves
that would not let him go.

Saturday, January 29, 2011

Conversing with Mozart: Jedno


I hung him
by my bed
on a long, frazzled line
where I clipped him
on a clothes pin
so he was angled just so
I could ask him what I wanted
as he wept for dear Praha
(we have that in common)

I asked him one night
late, the ugly hours
what it meant to make
that kind of music
and he told me this:

There is no music.
There is no music
like how the wind moves
nor a higher note of perfection
than fall of sun into night
And If I stole from anyone
it was the innocence of love
I just touched the keys
and tried to remember a name
a taste of earth
and the colors of mist that hang
But remember this
there is no music
here
but there will be
and, oh, how we will dance.

Sunday, January 23, 2011

The Year of Elephants


















I held a banana out
yellow and whole she took it
there were only females
males are too aggressive, not safe
for the children

I watched as she snatched it
my banana
maneuvering that protruding limb
with a surprising grace

Her eyes were big black quarters
that lost the longing for trees
and stand within the ridges
of a grayness of face

She walked, lifting each side of herself
a weighted wooden marionette
who forgot if she liked the dancing
or died within it
as I crawled up on the neck
the hair stuck up like sharpened pencils
and the tusks bolted below
she can not know
what her ancestors died for

There were markings on the ears
warn from those years of cyclical
when all you bleed is progress
her crackled skin was punctured
by her only friend
chiseled from the machine
of man

When it ended
I looked upon those eyes a second
thinking, my God,
that could have been me
with the stolen gleam
of long, rotting story

Saturday, January 15, 2011

Lord forgive me, for I have dreamt again...


Oh dear. How the rain pelts and makes me fickle. It is just as I have feared, I am feeling antsy to the point of nausea. To be free, slung to my backpack and clutching a passport, but now instead find myself receiving continuous streams of mail to a little blue house in the center of a city.

But, no bother, things on the literary front are looking up. The exorcism of my characters has proven to be both violent and rewarding, and I am at least wise enough to know that both are part of this process (though my wisdom doesn't stretch much further than this).

I have found myself wondering this week about the concept of distance. I have been on this for some time, and have been so enraptured that I fear I may digress from more important or realistic things at hand.

As Heather and I, dressed in our going-out-best, entered the night bus to the sound of coughing, laughing, and vibrations of IPODS on parade, I had to wonder at the immensity of distance that exists between people. How my life, to me, is the centered pinnacle which all other things rotate around, is merely a distant star to others, if seen at all. But each of us find ourselves the victim of this self-obsession, and I don't believe it to be so much indulgent as it is natural, but still it is beyond me to comprehend that each person feels the same kind of oneness with themselves as I do with me.

That, in my day, all things bounce into me, through me, and at times off me, but no one else can sincerely feel those hits. They see them, at times empathize with their impact, but they will never truly care about my beatings like they do their own. This, is an incredible thought.

Mark, that by incredible I do not mean brilliant (otherwise, shame on me for my pompous tune) but instead I mean that it is so vast that I don't believe anyone is capable of stripping it to its nakedness, watching it shiver there in the corner.

There, across this coffee shop, is someone making a latte, and they are at work, thinking about temperatures and foam and perhaps why their girlfriend keeps her eyes open when she kisses him, and I won't ever truly feel any of that pain. Or the man across from me, flannel-clad he has been typing vigorously for over an hour, and his eyes have that look of true passion glaze but I feel nothing. All I feel is a pull to my computer, my thoughts, and my dearest Ian as I continue to chisel away at his little imaginary world that will, if I'm lucky, really only touch a few people.

Just something to think of, on a gloomy day: The distance between us is great, but it is important to know, in a way, that you are the only one who can center yourself properly. No one, not even your most cherished and trusted companion, or dearest mother, can know every intricacy of you.

And, I think, there is a liberation in that. So rejoice, and celebrate yourself, the way Whitman once did, and I do today as I turn my phone off and let myself write in the peace of afternoon mist.